Aymeric Hainaux & François Chaignaud (Prancūzija) – MIRLITONS

François Chaignaud about the idea:

The starting point for our second with Aymeric meeting studio has become the odd seven -part rhythms that have an anomaly in the Western environment in a regular binary. My way to oppose Aheric was to hit the floor with his feet. Thus gradually the percussion (heels to the floor, lips to the microphone) was born, unobtrusive, in some places stumbling, rough music. Legs and mouth act as opposite forces, and the bodies allow formed and communicated through these two poles, lifting us somewhere where the worlds of the underworld and heaven connect.

The meeting of the two turns into a confrontation, competition, a union - a gloomy and debilitating ritual that invites you to look for an antidote or other side. A few moments spent in a dark studio only enhanced the desire to continue their meetings and allow these "Mirlitones" to break, confront and comfort each other.

The scene is the arena. Two masked, militant,

unrecognizable, humble and clever bodies. Microphones,

speakers, podium, bells, shoes. Ritual,

presentations, confrontation, node, binding.

Complete Saturation of Frequency and Muscle: Excess Therapy.

Bodies and sounds between extinct rituals

melancholy and present

aggressiveness. Lips and heels looking for

forgotten code. Graceful and continuous

Beatbox and percussion duel: wall, aura, old world,

lost to poisonous two wrestler bodies

. After graduating from Paris Higher National Music and Dance Conservatoire, he worked with various choreographers such as Alain Buffard, Boris Charmatz, Emmanuelle Huynh and Gilles Jobin. Since the first 2004 The project implemented, Chaignaud in the dance is aimed at comprehensive expression.

The combination of dance and singing (думи Мої, 2013) and deep relationship with history are characterized by his work. 2021 founded Mandorle Productions, whose creative line is based on cooperation with other artists. Chaignaud also creates large groups of performers: Sou ffl ette (2018) for Carte Blanche and T u m u l u s (2022) with Geoffroy Jourdain of Les Cris de Paris.

Aymeric Hainaux, who has visual arts education, looks very personally to the Beatbox (vocal percussion) music. He mimics machine sounds exactly as the famous Roland TR909, and due to unmatched techniques, he is considered one of the most prominent representatives of this art. Among his instruments you will not find a loop pedal, he only plays live, using a microphone, bells, a lipstick, sometimes cassette player.

2013. Together with Stéphan Barcud, he created a musical duo Cantenac Dagar. The Group, which has published a dozen records today, is the main Hainaux project.

spread:

Idea and performance: Aymeric Hainaux & François Chaigns

Artistic Cooperation: Sarah Chaumette

Costume Design BUCHY

Production: Mandorle Production (Gaance Rogger, Jeanne Lefèvre, EMMA Forster)

International Dissemination: Apopic (Line Rousseau, Marion Gaivent)

Mandorle Products Overnė-Rona-Laliai region. François Chaignaud is the affectionate creator of these institutions: Bonlieu Scène Nationale Annecy, Chaillot National Dance Theater, Maison de La Danse and Lyon Dance Biennial. (FR)

Paris Autumn Festival (FR)

Charleroi Danse, Valonian Choreography Center (Brussels, Be)

Maison de La Danse, Pôle Européen de Création Theater (NL)

Milan Triennial (IT)

Kunstfesstspiele Herrenhausen Hannover (DE)

Sponsor:

bonlieu Scène nationale Annecy (FR)

Espace Pasupace, Art Laboratory (Valansjen, FR)

la Villatte, Artists' Initiative (Paris, FR)

Malraux, Scène National de Chambéry Saviie (FR)

LES AIRES - Théâtre de die et diois, Scènes conventionnées d. Territoire (FR)

Thanks to: Balakumar, Edouard Prabhu, Prune Becheau.

Premiere: 2023. October 11-14. and 20-22. During the Paris Autumn Festival.

Instagram: @theyCallmefrannie

Photo authorship: Martin Argyroglo.

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