Konkurso „Premio Scarlatti“ nugalėtojai fortepijoninis pučiamųjų sekstetas „Nexum“

Name: Konkurso „Premio Scarlatti“ nugalėtojai fortepijoninis pučiamųjų sekstetas „Nexum“
Start: 2024-11-03T16:00:00+02:00
End: 2024-11-03T17:00:00+02:00
Location: Lietuvos nacionalinė filharmonija

November 03 (Sun), 16:00 - 17:00

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Vilnius, Lietuvos nacionalinė filharmonija, Aušros Vartų g. 5

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LKO 65-ojo koncertų sezono atidarymas. Sergej Krylov, Giovanni Sollima

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Performers:
Piano wind sextet NEXUM:
SAULINA NEDZINSKAITĖ (flute)
KRISTUPAS KAČIONAS (oboe)
KÄSTUTIS ABARIS (clarinet)
MARTA ETXEZARRETA (horn)
LUKAS GRINKAS (bassoon)
GINTARĖ RUDAITYTĖ (piano)

Program:
LEO SMIT - Sextet for wind quintet and piano
ARVYDAS MALCYS - "Ultimum refugium" ("Last Refuge") for piano and wind quintet
FRANCIS POULENC - Sextet for piano and winds in A minor, Op. 100
JEAN FRANÇAIX - Suite "L'heure du berger" ("The Shepherd's Hour") for wind quintet and piano

VI Vilnius International Youth Music Competition "Premio Scarlatti" winners wind sextet "Nexum" " invites you to travel through various 20th century stages and hear various color combinations of chamber music.

The Sextet of L. Smith, who died during the Holocaust, dedicated to the Concertgebouw sextet, was found in a pile of garbage after the Second World War. The dynamic, elegant composition enriched with baroque and jazz motifs attracted the interest of chamber music performers and was returned to the great chamber music repertoire.

A. Malcio's "Ultimum refugium" reflects today's current affairs. The composer reflects on the contradictory nature of man. The conflicting mood created by the sounds of music conveys duality: in the human heart, meanness lives next to greatness, meanness lives next to kindness, hatred lives next to love.

F. Poulenc's Sextet was inspired by circus performances. Jazz, visual rhythms bring this work closer to the aesthetics of interwar cabaret music.

J. Françaix's "Shepherd's Hour", also subtitled "Brasserie Music", is the composer's witty and critical look at the 20th century. visitors of brasseries - small restaurants - of central Paris. Three short sketches depict three characteristic types of visitors: dandies, seductive girls and nervous little visitors. Although created as background music for brasserie patrons, this colorful piece is considered an equal part of the canon of concert classical music.

* The description translation is done automatically. There may be inaccuracies. Be sure to check the event description on the ticket store website when buying tickets.

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