VŠDT | PATINA rež. E. Švedkauskaitė | Naujas aplankas (2) | Panevėžys

MALE Picture of a single family Duration - 1 hour. 35 min. Premiere - 2023 October 6, 7 Director - Eglė ŠvedkauskaitėComposer - Vytautas Leistrumas Set designer - Ona JuciūtėVisual artist - Aneta BublytėLighting artist - Julius KuršisCostume designer - Elvita BrazdylytėPlaying: Mother - Nomeda Bėčiūtė / Monika ŠaltytėAlbertas - Tautvydas GalkauskasHenrikas - Josif BaliukeAdelė - vič Aistė Šeštokaitė / Monika GeštautaitėMagdalena - Inga Jarkova-Bučienė Neighbor - Lina Bocytė * Patina - a thin green, brown or blue film on the surface of copper, brass, bronze articles, resulting from moisture or special treatment with oxidizers. Early spring morning. It's falling apart. The family is about to sit down at the breakfast table, but one son is late. How can he afford it? After all, certain rules must be followed at home. Do not be late, do not hide anything, speak at the right time and be silent at the right time. The family obeys these rules and everyone who enters the door of the house must obey. In Virginija Rimkaitė's play "Patina" the closest people act, but their official and cold communication betrays that the playwright is telling us about family relations in crisis. At the center of the play is the Mother, who creates the myth of a harsh world outside the walls of the house and the opposite illusion of a safe home. However, security here equals unlimited control by family members. The eldest son, Henrik, who has a congenital heart defect, does not have great social skills, so we watch his absurdly comical efforts to form relationships with the women that Mother chooses to be his wives and nurses. The younger son Alberts works nearby, as if imperceptibly, whose silence is undoubtedly hiding something. The events of one day in the play lead to the dramatic consequences of the rebellion against the Mother's system. The director of the play, Eglė Švedkauskaitė, says that she is intrigued by the world created by the Mother, in which other characters easily become hostages: "being merciless to herself as much as to others, the Mother protects the self-created myth of family welfare and values. For society, family relations have always been a relevant topic - the family changes with the changing times and this causes fractures and conflicts between people with different beliefs, between different generations. In this performance, we will talk about the distorted reality, when family values ​​turn into a justification for cruelty."

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