Klaipėdos jaunimo teatras | Spektaklis-fantazija Žemaitėjė (rež. D. Rabašauskas) | ŠIAULIAI

performance-fantasy "Samogitian".

What best helps to understand the portrait of the ethno-cultural region? Maybe historical and documentary material, maybe myths and folk wisdom, or maybe the archives of the Internet forums and the software of political parties? The creative team of the performance "Žemaitė" conducted all of this artistic-historical study to better understand what Samogitia is Samogitia for the modern Lithuanian population.

Why is it not any other country? History shows that Samogitia was the most autonomous region in the past, which had the status of the duchy. Scientists investigate and compare the unique Samogitian heritage with other regions, poets are elaborate, the dialects of the dialects encourage us to get to know the treasures of Samogitian spokes, but to this day there are people thinking that Samogitia should repeat the story, separate and become independent state ... The most fairer.

The creators of the performance encountered Samogitian folk art masters and folklore fosters, who have difficulty understanding why the modern child no longer wanted to play in the birbyne. The authors of the Samogitia suggest that we need to understand where the value of those traditions lies in order to preserve, conserve and pass on to future generations. In order for ethnographic songs and dances to remain only a one -off, exotic performance at the Song Festival, but to become an integral part of everyday life, national identity, we must find a new way to talk about our past. We have doubts as to whether everything needs to be protected and cherished, and we want traditional elements to apply in the modern world. There is much more Samogitian legacy than just a caste and unique language, but how much do we know it? Should we only be satisfied with the portrait of the Samogitian presents to us by "Bicycle News"? ", Asks Ieva Pakštytė, co-author of the performance. However, this historical information will take on mystical and mythical forms on the theater scene, passing through a personal young person's experience filter. It is important for the creators of a fragmentary, mosaic performance to look for their own relationship with the place where Samogitia lives.

“My mother and grandmother are real Samogitian and speak Samogitian, but I grew up on Rubežius - in Šiauliai, my daily Samogitian tradition. Meanwhile, Eve grew up in Jonava, but has been living in Samogitia for a long time. We are curious and important to analyze how we could strengthen our links with Samogitia, ”says Rugilė Latvėnaitė, co -author of the performance. Rabašauskas

Actors: Ieva Pakštytė and Rugilė Latvėnaitė

Stage designer: Rūta Venskutė

Composer: Gytis Šimelionis

Light artist: Julius Kuršis

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