Laura Kutkaitė ir aktoriai. TEIRESIJO KRŪTIS, rež. Laura KUTKAITĖ

April 10 The performance of the breasts is titrated into English. The subtitles are best seen in 1-10 rows.

director and playwright-Laura Kutkaitė

Texts-Guillaume Apollinaire, Laura Kutkaitė, Aistė Zabotkaitė, Domantas Starkauskas, Domantas Starkauskas, Rytis Saladžius, Vitalija Mockevičiūtė, Dalia Michelevičiūtė

Stage designer and costume designer - Paulina Turauskaitė

composer - Agnė Matulevičiūtė

Choreographer - Agnietė Lisičkinaitė

Light artist - Julius Kuršis

Assistant director - Kotryna Siaurusaitytė

Dramaturgy assistant - Gintare Ilnginytė

producer - Vidas Bizunevičius

Aistė Zabotkaitė

Domantas Starkauskas

Rytis Saladžius

Vitalija Mockevičiūtė

Dalia Michelevičiūtė

in the second performance at the Lithuanian National Drama Theater (2022 for her debut work "Siren Silence" was awarded Laura Kutkaitė, the best young European director at Fast Forward Festival in Fast Forward). and Novelist Guillaume Apollinaire (1880–1918) of the surreal work "The Breasts of Teiresia" and, together with the actors, construct a new text without obliging the original play. Together with the creative team and actors, the surreal world based on the principle of associations is created, sometimes with its logic more than one would like the one that surrounds us.

g. In Apollinaire's work, the blue -seated figure Tereza rebelled against her husband. She is overwhelmed by a beard, a mustache and she shouts about how masculine she feels. Tereza becomes a teeiression (Greek myths - a blind prophet's figure), so Teresa's man decides to give birth to children himself, and at the end of the work, Tereza returns to the one who ran.

"While reading the play, I was strongly affected Imaging as strong as she is only a man, an equivalent of a woman to her uterus, and probably stronger than everything - Teresa's return to her husband. I want to immerse viewers in a choreographic dream created by the Kaleidoscopic Association. I am interested in the creation of a poem as a stage poem. I want to return to Terez again to the man, to meet older Teresa and to ask her: Would she regret it for this step, or would she regret it? It becomes an almost insurmountable rhetorical issue related to human beliefs imposed on social constructs associated with so strongly overwhelmed by the concepts of femininity and masculinity. Due to the bright feminist position, my performances are similar to manifestations, but they always have a tear. The epicenter of this piece is a very huge doubt about manifestation itself. In this performance, I do not claim, but doubt. Therefore, for the first time, I feel hope.

I want to "have a breast" (without pity amputation of one breast for Apollinaire) to dialogue of sexuality, dissident sexuality, the rights to my body on issues. We must constantly fight for the right to our own bodies, because they also have a public dimension. The body, as the most radical form of our modernity in the theater and beyond, is the social phenomenon of today, the field of war. In the performance, it becomes the main space for us to ask us with the ruthless war metaphor, "says director Laura Kutkaitė.

When buying 10 or more tickets, please contact: vipklienti@bilietai.lt

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* The description translation is done automatically. There may be inaccuracies. Be sure to check the event description on the ticket store website when buying tickets.