METAMORFOZĖ. Pagal Franzo Kafkos kūrybą, rež. Oliver FRLJIĆ

Director, author of adaptation - Oliver Frljić
Stage designer, video projector -Igor Paškakstiumas artist -Marta Nakaitė -Dainius Urbonis director assistant -Augustas Gornatkevičius Produserė -Agnė Pulokaitė plays Rasa Samuolytė, Rimantė Valiukaitė, Gediminas Rimeika, Aistė Zabotkaitė, Algirdas Gradauskas Repšys, Rytis Saladžius, Augustė Šimulynaitė, Vaidilė Juozaitytė, Jūratė Vilūnaitė, Toma Vaškevičiūtė. It is possible to kill a person, but cannot be forced to be something else. (Robert Antelm)
How, when and why do we stop looking at another as a person? At the very core of Franz Kafka's creative work, the different forms of humanity can be examined. The story of Gregor Zamz, who has turned into an insect, raises the question of what our compassional boundaries are: how the identification process is, how it is constructed, or is able to accept the other part of humanity. This performance will aim to examine a complex dialectical link between two different political (in a broad sense) mechanisms: empathic identification on one side, and humanity on the other.
The meaning of meaning in Kafka's works is extremely wide, not succumbing to simple, unambiguous interpretations. In order to open up different levels, the most important thing in the performance is to knit the dialogue with the reality we live in.
1914 July 28th. The First World War began, and just a few days later, Mr Kafka began writing his most famous novel "Process" (which was left unfinished, and published without the writer's permission only after her death). And while these two events are not related to mutual causation, the experience of war is evident in both the writer's works. Cafka's creative researchers say that in the "Process" he foreseen the totalitarian ideologies that soon covered Europe, as well as the nature of that war. February 24th When Russia began the war against Ukraine, it was spoken of the fact that this war would begin the next phase of European history, introducing a new world order. So it may be that we, in the 21st century. The 3rd ten. Europeans, like Kafka, have become a contemporaries of the First World War, will survive the fracture epoch, followed by a new order in the world.
Franco Kafka (1883-1924) is a famous Austrian prose writer who wrote German. It is considered one of the most distinctive and influential of the 20th century. Writers, pioneer of modernism, are also identified by surrealists in one of the predecessors. He was born in a Jewish family, studied chemistry and Germanicism, and later chose a law studio, especially delighting the ruling father, who considered his literary ambitions of vain. For almost a lifetime, he worked as a Prague workers' insurance company, a free from the bureaucratic work that he hated, immersing himself in the literary world. He constantly felt an contradiction between his social life and creative vocation, and he was very suffering. It was extremely strict for his work, and a significant part of his works was printed without his consent only after the writer's death.
Being airtight and ambiguous, Kafka's prose provides opportunities for a variety of interpretations, often the most controversial. His works reveal a strange, hard -to -explain world, the world full of threats and fear, the instability of the world, loneliness, fatigue, fear of the future.
Oliver Frejićius (b. 1976) is one of the most prominent European theater creators, director, actor, and texts, often referred to as the "provocateur of theater". On the stage, it usually raises complex and awkward questions to the public, sharply tells social topics, and most often responds to current issues and situations. Many of his performances have caused a great deal of publicity in society, such as in neighboring Poland, which became a bright and scandalous event in 2013. His performance of anti -Semitism in Poland was canceled at the Old Theater in Krakow, or in 2017 A performance "Curse" was produced at the Warsaw Powszechny Theater. The director is invited to create in various scenes and also resides at the Berlin Gorky Theater.

When buying 10 or more tickets, contact: vipklentai@bilietai.lt Doors open: 1 p.m. to the duration of the event: 1:30
Breaks: No
Language of the event: Lithuanian school -age children are not allowed into the performance.
Children are admitted free of charge: no
Age censorship: N-14, the performance uses smoke-ranging spectators in the hall.
Seniors* -25% (to provide a pensioner certificate during control);
A young person's discount (inclusive 25)- 25% (at control, a discount of a student, student certificate or identity card).
Disabled* - 25% control must be submitted by a disability certificate.
15%of tickets for 20 or more tickets;
Metamorphosis will be available for spectators in the wheelchair and those accompanying people with disabilities in the wheelchair and those accompanying them from March.
When you come to the performance, it is necessary to have a discount confirming document. Those who do not provide a document confirming the right to the discount shall not be allowed into the theater and the money for the tickets is not refunded.
All Discount Terms-https://www.teatras.lt/en/bilietai-ir-information/nather-and-accio/

On the AllEvents portal you can always Buy tickets to an event Theater METAMORFOZĖ. Pagal Franzo Kafkos kūrybą, rež. Oliver FRLJIĆ, Vilnius, Lietuvos nacionalinis dramos teatras September 30

* The description translation is done automatically. There may be inaccuracies. Be sure to check the event description on the ticket store website when buying tickets.