VMT premjera | KANTAS. KAMBARYS, KURIAME NEGALVOJAMA

Marius Ivaškevičius

Kant time

Three -part performance

Preliminary duration - 4 hours

Premiere - 2025. April 25th

Director - Oscar Koršunovas

Stage designer - Gintaras Makarevičius

Videomers - Rimas Sakalauskas

> Choreographer - Vesta Grabštaitė

Costume Artist - Sandra Straukaitė

Composer - Antanas Jasenka

Light artist - Eugenijus Sabaliauskas

Assistant director - director - director - director Andrius Merkevičius

plays:

Immanuel Kant - Cyril Glushayev

Martin Lampė - Ramūnas Cicėnas

phobi - Indrė Patkauskaitė

Johan Shulcas - Mantas Vaitiekūnas

Johann Vigilantijus - Daumantas Ciunis

Johann Schefner - Leonard Pobedonoscev

Joel - Jokūbas Bareikis

Friderica - Greta Bendžė

anna - Gintarė Latvėnaitė

Johan Kaufman - Vytautas Rumšas (Junior)

Grandma - Ilona Kvietkutė

/P>

A year ago, Oscar Koršunov, director of the Vilnius Small Theater, presented the first step of the play "Kant". The sketch soon received interest and the audience's sympathy. In the play "Kantas", the playwright continues the theme of historical personalities at the Vilnius Small Theater. The work, along with the performances "Madagascar" and "Mistras", will become a kind of trilogy. Having brought together a well -known director Oscar Koršunovas, who has created a number of great work with Marius Ivaškevičius, is the first to build a performance at the Vilnius Small Theater. ; Königsberg. In Prussia, November. There is a sense that society will survive significant social changes. The Great French Revolution is already filled with the back. Following the usual ritual to eat a longer lunch in a male company, the philosopher sits for lunch. This time, however, to eat as if never to be severely disturbed by the time of peace that a person lives with. Men's disorder is further enhanced by the invading niece of an old Kant buddy. She comes from Scotland drowned in the fog and wants the philosopher to sign "Criticism of the Pure Mind." The philosopher of his most prominent work "Criticism of the Pure Mind" was set to almost an impossible mission of exploring the boundaries of the mind and creating solid foundations for metaphysics, which was considered necessary and inevitable in the world of that time. By studying the possibilities of the mind, the philosopher creates one of the most impressive works in the history of mankind. Unlike the complex and confusing thinking of Kant, the performance is presented by an engaging and witty manner and even continues the philosopher's own project by dramatic "exploring" the dramatic form.>

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