Kata Wéber „MOTERS DALYS“ rež. Uršulė Bartoševičiūtė

One part performance
Duration - 2 hours. 30 min.
Premiere - 2025. June 3 and 4.
The performance is shown in Polish with Lithuanian subtitles
Great Hall
N-18. The performance includes naked body, bright light (stroboscope), uncensored lexicon, famous music.

Creative Group:
Director - Uršule Bartoševičiūtė
Costume artist - Dainius Bendikas
Choreographer - Oksana Griaznova
Video artist - Martynas Norvaiš
Stage designer - Rūta Venskutė
Composer - Rita Mačiliūnaitė
Light artist - Julius Kuršys
Assistant Director - Gelana Ivaškevič
Play from Hungarian to Polish Value - Jolanta Jarmołowicz
The performance manager is Alexandra Šalkinė
Plays:
Maja Nitovska - Gabrielle Andruškevič

Lars Alsvag - Oskar Wyganowski
Magdalena Zlockka - Angela Bizunovich / Jelena Bogdanovich
Monika Nitovska - Justina Stankevich
Voitek Krys - Artur Svorobovich / Maxim Tuchvatulin
Suzana Zlockka - Evgeny Gladij
Eva Janina - Aleksandra Metalnikova ////
Director Uršule Bartoševičiūtė's performance based on Katos Wéber's play "Czysykki Kobity) is the story of a first -born young couple, a family drama, whose action is held these days, based on the strength and determination of female characters. Family life, a fellowship, as an objective, attracts and demonstrates the problems and internal conflicts of today's society. Maja, a 30-year-old player, is fighting with a personal tragedy. In order to return to life, she is inevitably forced to question her so far, to build relationships from scratch. "Parts of a woman" is a mesmerizing picture of the life of a modern woman who fights for the right to her body and everyday life. Maya after what happened must create herself again. The image of a harmonious and normal family starts to take a look - conflicts, tension, and the tragedy that occurs as if it opens up the Pandora's chest: addiction, money, legacy, mother dementia. Family Multilingual - Cultural stereotypes, problems, miscommunication, which are determined by different cultural traditions and identity, emerge. This also highlights the division of free -mindedness and religious traditions. There is an almost obsessive desire to find guilty or culprit, punish him, and to commit "justice" for the washing of "sin" or "guilt". The playwright draws every character with great care and empathy - not wrong and does not criticize, but tries to understand the changes. The performance uses cinematic expression tools, intimate narrative, the reality of the details is caught by the viewer, fascinating. The "parts of a woman" first talk about a woman's right to her body, the right to choose what to do with her. I look at Maya, the main character of the play, and I see every woman who encountered bereavement, mourning, suffering, doubts trying to regain physical, emotional health, balance. The Maya environment, her family, reminds me of food, waiting for this woman's mistake, the wrong step. There is a vivid relay and suffering - in one generation, the contest is reproduced and conveyed to the coming. ” (Uršule Bartoševičiūtė)
"Parts of a Woman" is the first professional performance in Polish at the State Theater of Lithuania from the interwar period. ////
Kata Wéber, a Hungarian playwright, a scriptwriter, studied at Budapest at the Theater and Film University. Wrote dramas "Dementia", "Light of Life", "Seven Deadly Sins / Homeland (according to Brecht), libretto" Voyage Verspoir "Espoir, etc. The playwright wrote the play "Parts of a Woman" in 2018. In collaboration with Hungarian director Kornéli Mundruczó, first built at the TR Warszawa Theater in Poland, was successful, recognition, performance on the world's most famous scenes, theater festivals (Festival d'Avignon, Athens & Epidaurus Festival), Divine Comedy Festival. 2019 This work has earned the Grand Prix as the best of 2019. Polish performance at Boska Komedia Festival in Krakow. In 2020, K. Wéber and K. Mundruczó's efforts were turned into a film "Pieces of a Woman" (Netflix), which was played by actress Vanessa Kirby. Uršule Bartoševičiūtė (Bartas) is one of the most interesting director of the young generation theater, who has produced performances in various Lithuanian and foreign theaters. 2021 awarded the young artist's prize, the performance "Macbetas" in 2023. Nominated for 5 Icelandic Theater Awards categories, performance "Suicide Anatomy" (LNDT, 2024) Nominated for the Best Directing, Servant Woman and Scenography Categories at the Golden Stage Crosses. The director is interested in time, ways to analyze generations of relationships, intelligence traumas, seek to rethink the stubborn portrayal of specific characters, events, phenomena, phenomena and feelings that change in the long run: how historically we portray women on stage Care and answer the question - how do we work after us, rejecting the fact that physically and ideologically make us old and old -fashioned? ////
Maya. [...] This is my body. This is my personal matter. Do you understand? This is what you will not be able to beautify, such as the surroundings, locations. This is not your business. I don't want to talk about it. Especially here, in front of everyone. Lars. Do you know the history of the Takoma Bridge? In the 1940s, the bridge collapsed by itself. For a while, no one understood why. Then it turned out that the tragedy could have been caused by resonance. Each body has its own vibrations. And if the external vibration frequency is close to the body itself, resonance appears. [...] Even the bridge can collapse. (From the "parts of a woman" of Kata Wéber. From Polish

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