Vilniaus festivalis. Prancūzijos horizontai su Maurice’u Raveliu. LNSO, Victorien Vanoosten, Gabrielė Bukinė

“It is fun for me to persuade others to do something beautiful together, to show the way we would all seek it. I am the greatest critic and press myself because I do not want to disappoint musicians. I do the same wherever I go. Especially in Vilnius. And, I am sure, every job is stronger, more suggestive when we do it with love, having an emotional connection, ”said French pianist and conductor Vanosten, a French pianist and conductor, the Lithuanian National Symphony Orchestra (LNSO) all year long and the main invited conductor and He studied the piano at the Paris Conservatoire, conducting in Paris and Helsinki. won the Adami Conducting Competition. Vanososen is invited to conduct Paris Chamber Chamber, Berlin's Staatskapelle, Vienna Tonkünsler, Montropolitain Montopolitain. The conductor was awarded the Order of the French Republic for French culture.

At this concert of the Vilnius Festival, V. Vanosten with LNSO and a stormy soloist Gabriele Bukine, who invaded the theaters and concert scenes, reviews French horizons through Maurice Ravel's prism. Writer Romain Rolland, who has become famous as an authoritative music historian and critic, called Mr Ravelis as the greatest French music artist, commemorating his gate next to Jean-Philippe Rameau and Claude Debussy. The junior Debussy contemporaneous Ravel's thought was no less bold, fantasy is extremely rich, composition technique and artistic taste - flawless. He took inspiration from the work of ancient masters, was extremely close to the colorful Spanish folklore (his mother was Basque origin), and was attracted to the dance genre - it is no coincidence that we will hear the "bolero" and ballet "Daphnis and Chloja" first suite.

. For the piano and orchestra G-Dur (1931), Ravel-dedicated pianist Marguerite Long. Quite often, Ravel's music is accompanied by exotic motifs, and his song cycle "Shecherezada" is considered to be one of the first experiments of Orientalist Harmony in the work of the composer, the accents of the oriental sound heard.

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