Alice Birch. SAVIŽUDYBĖS ANATOMIJA, rež. Uršulė BARTOŠEVIČIŪTĖ

Director - Uršulė Bartoševičiūtėnographer and Light Artist - Agata Skwarczyńskakacies - Liucija Kvašytėkompoziter - Ieva Parnarauskaitėchoreographer - Oksana Griaznovarist Assistant - Deivydas Valenta, Gustas Rupšyskios. Liaučius Produserė - Kamilė Žičkytė Vaidinakarolina - Augustė Pociūtėana - Augustė Ona Šimulynaitėbona - Elizabeth Latėnaitė (Carolina's husband) - Marius Repšysjokūbas (documentist) - Kęstutis Cicėnasjonė; Nurse; Lola (a friend of Carolina school) - Danas, a Jakštaitė Jakštaitė; Real estate agent; Doctor; The son of the patient - Vytautas Anuzajajūta in childhood; Anna in childhood; Neighbors' child; Tim's daughter; Child - Aistė Rocevičiūtėma (John's sister); Real estate agent; Ruth (adult); Bonn mistress; Nurse; Doctor; Woman - Jūratė Vilunaitis (Bonn colleague); Tad (Ema's husband); Doctor (psychotherapist) - Algirdas Gradauskas
Rita Kosmauskienė translated from English
The performance "The Anatomy of Suicide" intertwines the stories of three generations of women: the lives and destinies of grandmother, daughter and granddaughter are analyzed by capturing the cornerstone, chrestomatic, distinctive and fully household stages and events of a woman's life. The topics related to knitting family and romantic friendships, mechanisms of patterns and relationships in the generations, losses imposed on women, the anatomy of the suicide action and the analysis of sin: from committing it, repentance, mourning, prosecution to forgiveness. "Ever since I found out that a woman is born with all the eggs that are formed while she is still in the womb, I have started to understand the issue of generations much more physical. Today it becomes very relevant to me - our grandmothers' experiences are genetically living in us, their historical trauma and response to them alive. will live a hundred years later? ” - The director Uršule Bartoševičiūtė, who presents her first performance at the Lithuanian National Drama Theater. Carolina is a woman living in a traditional marriage who, in a clinical depression, decides to commit suicide. Her daughter Anna, trying to escape her parents' relationship and life models, retreats to the communal, where she revises the principles of community life and sinks into drug addiction. After giving birth to her daughter Bon, Anna soon chooses suicide. Bona, in turn, is trying to complete the transgenerative suicide injury, to stop the chain of such choices. She becomes a doctor and, unlike her mother, chooses a rational way to systematize and understand the load of her family history - seeking medical and scientific answers. She decides to sell the family house and make sterilization. Although she is a lesbian and cannot have children with her partner, it is important to prevent bona from being prolonged that she will extend this tribe and transfer what she has received from her mother and grandmother. Carolina, Anna and Bona are depicted in the performance of a similar age - all of her young thirty -year -old women and their stories are told at the same time. Different time zones allow one tribe to be viewed not as a random combination of actions and references, but as a transgenerative chain of events. British playwright and screenwriter Alice Birch, as the name indicates, looks anatomically, y. does not judge, evaluate or unjustifies the actions of women in order to seek some objectivity of narrative. The author, stating that she wrote the work more as a score rather than a play, allows the creative group and viewers to look at the storyline through the eyes of the detective - to notice and capture non -oblivious symbols, signs and traces accompanying this tribe. Alice Birch's work is often compared to the plays of scandalous British playwright Sarah Kane - they are associated with a similar relationship with modern existentialism, portrayal of people with margins, boundary and extreme experiences of personal personal experiences, institutions' inactivity (especially for medical staff) forcibly. The image of a woman who leaves her last words as a will. Partner:

When buying 10 or more tickets, contact: vipklentai@bilietai.lt door open: 1 hour. to the event
Event duration: 3.00 p.m.
Breaks: One
Event language: Lithuanian
Preschoolers are not allowed to be admitted to the performance.
Age censorship: N-16-sections of smoked theatrical cigarettes without tobacco and nicotine, use uncensored lexis and bright flashing light effects.The spectators are not allowed in the hall. Discounts: Seniors- 20% (for control to provide a pensioner certificate); young person discount (inclusive 24)- 20% (discount a student, student certificate or identity card during control). Not for 20% of control- 20% of the disabled license. for members):
Tickets for viewers with mobility in a wheelchair must be selected in specially adapted and marked locations (sector for viewers with mobility in a wheelchair/ accompanying). The number of places in the hall is limited. The ticket will be applied by the distributor service fee of EUR 1. *A person accompanying a person with a disability, such as a family member without an assistant certificate, must buy tickets at a full price. ** When accompanied by a viewer with mobility disabilities, the ticket must be selected in specially adapted and marked locations (sector for viewers with a movement of mobility in a wheelchair/ accompanying - place assistant), accompanied by another person with disabilities, to choose a place nearby. Those who do not provide a document confirming the right to the discount shall not be allowed into the theater and the money for the tickets is not refunded. All Discount Terms-https://www.teatras.lt/en/bilietai-ir-information/nather-and-accio/

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