UŽBURTAS KALNAS. Rež. Krystian Lupa

Thomas Mann

Director: Krystian Lupa
Stage Artist: Krystian Lupa
Stage: Artist: Piotr Skiba
Composer: Wladimir Schal
Video director: Natan Berkowicz
Video Operator: Nikodem Marek
Video designer: Stanislaw Zielinski
Director: Oskar Jacek Sadowski Translator: Gabrielle Andruškevič
Translation of Polish script: Živilė Pipinytė
plays: Donatas Želvys, Matas Dirginčius, Valentinas Masalskis, Viktorija Kuodytė, Aleksas Kazanavičius, Sergejus Ivanovas, Alvydė Pikturnaitė, Aušra Giedraitytė, Janina Matekonytė Ciplijauskas, Paulina Taujanskaitė, Matas Sigliukas, Neringa Bulotaitė, Gintautė Rusteikaitė, Rūta Jonikaitė, Aistė Rocevičiūtė, Gabrielė Andruškevič

Journey is the key to Krystian Lupa's creative method. This is a trip to an unknown. It is based on exploration and collective work that penetrates the secrets of the literary work and the human psyche. In the case of a Magic Hill, it is primarily a journey to Mann's own personality and his secret relationship with Hans Kastorp's main character. It is important that Mann did not experience his hero's path, but wanted to experience it, and had to design it himself, based on the experiences of other people and written sources. This writing journey for Mann has become more real than a real family life hiding its true passions.

Krystian Lupa is important to feel what the "vicious mountain" meant Thomas Mann and the world. It also reflects the circumstances of the performance itself. Two acts imagine their performance. In the first we would see the world before the war, and in the second, the aforementioned war experience . Through two action dramaturgical contrast, the director aims to show world evolution since the 19th century and the early 20th century optimistic faith in the human mind Style ="Text-Align: Justify;"> When interpreting the "vicious mountain", Lupa is based on the pronoun of Mann, which has been used by us, who spoke the character of the collective narrator. In the performance, he will be embodied by separate characters, becoming narrator at different moments of the performance. By naming the collective narrator, Lupa uses a metaphor for painting. Every individual character with a brush is like a brush. On the stage, three brushes have become, and seventeen are waiting for their turn ... Everyone has hunger for life and experience. Similar to the one Thomas Mann gave his hero. Therefore, on the one hand, Hans Kastorp is a work of Mann's imagination and self -perification. From the other - The actor's own self -consuming, as an opportunity to be yourself. She gives birth to hunger to tell something personal ... From this common hunger and should be born a "Magic Hill" narrator as a man of our time.

Vicious Mountain-the third building of director Krystiano lupa in the Lithuanian Theater. Thanks to Lupa, Lithuanian theaters discover a new world of theater and the prominent twentieth century. Writers Thomas Bernhard, W.G. Sebaldo, Thomas Mann's literary continents. It is one big journey that encourages its participants to look for new ways of theatrical narrative and to raise the fundamental questions about man and theater tasks in our time.

The performance is created in collaboration with the Zalzburg Festival. September 20,
More about the performance

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