GLAISTAS. Garso patirtis Vilniaus gete

"putty"

Sound experience in the Vilnius Ghetto

"putty" is a sound journey through the former Vilnius ghetto area and jerking memories of memories of Holocaust. The sound map of the trip is made up of musical fragments specially created for each space, and the direction of movement is drawn by four voices of the Holocaust survivors, after the war from their native wool to Israel, the creators of putty in Tel Aviv, Jerusalem and Haif, p>

Frida Sohat (b. 1929) prisons in the Vilnius Ghetto, Kloga (Estonia) and Stuthof (Poland) concentration camps. He moved to Israel in 1957 because he wanted to meet his father, who had survived the war.

Joshua Zak (1929-2024) left Vilnius in Haifa and became a professor of Physics at the Israeli Institute of Technology. 1989 discovered Z (K) - Zak phase, for this in 2014. Awarded with the prestigious Wigner Medal.

Sore Voloshin (1928-2020) the only one survived from more than 50 people in Vilnius. She was a cousin of Icchok Rudashevsky, a young Vilnius ghetto blog, killed in Paneri. After moving to Israel, he became an airline engineer. Until the end of his life, lectures on anti -Semitism were a member of various public organizations.

Audio document, as a memory artifact, is the main axis of the piece around which the musical former Vilnius ghetto streets, courtyards, hallways, apartments, apartments, halls extend , interpretations of other spaces. The interviews heard in them loses purely verbal narrative function - recordings recorded in the recordings offer topics for choirs or electronic compositions, individual stories take on Aryan features, voices entry into sounds and become full means of musical expression. Everything is complemented by richly used binaurical records that give the headphones the impression of reality.

The work balances between "those times" move and "to today". When exploring the limits of such movements, first of all in their own heads, the creative group does not hide from the fact that today's Vilnius is a rapidly changing, painted and restored, hug with building grids, and some are still waiting for a fresh putty layer.> Creators accompanying viewers in chamber groups invite you to look at what is hiding under the putty and reflect on important questions: Is there the limits of the Holocaust perception? Where does memory end and imagination begins (if this divide is possible at all)? In what forms do you return (or could you return) what was almost completely destroyed during the war?

2020. The creative team "Golden Stage Cross" for the best dramaturgy was awarded the sound of the audio stroll in the Vilnius ghetto. /p>

While "putty" combines the lost Jewish Vilnius (through its people, architecture, etc. Remiscents) with today's, cultural and barbaric layers, the city version, but very and clearly demonstrates not at the being, but about the present - the present - What Vilnius is today, without those voices that Holocaust. , of course, total experience. It is very difficult to appeal to feelings without manipulating them - this is exactly what the authors of this work succeed. Don't miss the opportunity. For "putty", it is worth coming to Vilnius specifically. The fact that the developers refuse to create a sculpture. They rather give a stone. Created audioism - albeit dense and multi -faceted, but careful breathing; leading to sensuality, distracting from the field of meaning, giving it simply to breathe. Stories, between languages ​​and changing spaces, make you feel or learn, but rather feel or remember someone else's dream and therefore experienced dream.

The creators of "putty" simply sacrifice themselves to find people who are killed at least today to find their angels guardians. This is the most beautiful and expensive experience of putty in putty. The creators, without the fact of facts, do not confuse the past, as if they are entered and immersed in the ends of the fingers. Memory appears on this journey not as a reflection of the textography, but as an interpretation of the present, unpredictable imagination, individually and subjectively experienced drama.

Ugnius Babinskas, mic.lt

Creative Group:

Authors: playwright Rimantas Ribačiauskas, director Mantas Jančiauskas, composers Jūra Elena Šedytė and Andrius Šiys

use audio recordings from interviews with interviews with interviews Frida Sohat, Joshua Zaku, Soro Woloshin, Baruchu Shubu

performers:

vocal ensemble "Melos": Justina Leinartaitė (soprano), Gabrielle, Gabrielle Bilevičiūtė (soprano, leader of the ensemble), Karolina Macytė (soprano), Ieva Parnarauskaitė (soprano), Jūra Elena Šedytė (Altas), Dainora Aleksaitė (Altas), Gabija Adamonytė (Altas), Milda Adamonytė (Altas)

Children's vocal ensemble: Patricia Dahl, Urtė Kretkovskytė, Ignas Masevičius, Kaspar Skuja

Chormester Skaistė Garbašauskienė

>

Lora Kmieliauskaitė (violin)

Kazimieras Yušinskas (saxophone)

programmer Robertas Dumpis

sound Mastering Arūnas Zujus

Translators: Rimantas Ribačiauskas, Anna Ablamonova, Olga Lempert, Darius Ross, Vsevolod Chernozub

Wizards: Rimantas Ribačiauskas, Mantas Jančiauskas, Sea Elena Šedytė, Andrius Šilys, Anna Ablamonova, Paulina Simutytė, Ieva Parnarauskaitė, Medeinė Mickevičiūtė, Kristupas Gikas, Lyja Maknavičiūtė, Greta Štimeris, Marija Laen, Justina Buslavičiūtė, Miglė Remeikaitė, Eglė Radavičiūtė, Eglė Radavičiūtė>

Producer Opeomania

Main partner of Jewish Culture and Information Center

Partners: LMTA Music Innovation Studies Center, Vilnius Theater "Doll", Audiovisual Arts Industry Incubator, Mom Studios, Lithuania National Museum of Art

Duration: 80 minutes

Premiere: 2019 October 27 - November 3,

, works in Lithuanian, English, Russian, Hebrew and Yiddish with Lithuanian/English/Russian/Russian/Hebrai Titles

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