GLAISTAS. Garso patirtis Vilniaus gete

"Putty" sound experience in the Vilnius ghetto "Glasist" is a sound journey through the territory of the former Vilnius ghetto and the jerking memories of the Holocaust. The journey of the journey is made up of musical fragments specially created for each space, and the direction of movement is drawn by four voices of the Holocaust survivors, after the war from their native wool to Israel, and the creators of the putty in Tel Aviv, Jerusalem and Haif, (Estonia) and Stuthof (Poland) concentration camps. He moved to Israel in 1957 because he wanted to meet his father, who had survived the war. Joshua Zak (1929-2024), who left Vilnius, settled in Haifa and became a professor of physics at the Israeli Institute of Technology (Technion). 1989 discovered Z (K) - Zak phase, for this in 2014. awarded the prestigious Wignary Medal.Sore Voloshin (1928-2020), the only one survived from the relatives of more than 50 people in Vilnius. She was a cousin of Icchok Rudashevsky, a young Vilnius ghetto blog, killed in Paneri.baruch Shub (1924-2020) during the war was a participant of the Jewish underground movement. After moving to Israel, he became an airline engineer. Until the end of his life, he gave lectures on anti -Semitism, a member of various public organizations. The document of the memory artefact is the main axis of the work around which the musical interpretations of the former Vilnius ghetto streets, courtyards, hallways, apartments, halls, other spaces extend. The interviews heard in them loses purely verbal narrative function - recordings recorded in the recordings offer topics for choirs or electronic compositions, individual stories take on Aryan features, voices entry into sounds and become full means of musical expression. Everything is complemented by richly used binaurical records that give the headphones the impression of reality. This is a distinctive aesthetics of "putty" musical narrative, dynamic gesamtkunstWer today, where the viewer's body, its movement in space. When exploring the limits of such movements, first of all in their own heads, the creative group does not hide from the fact that today's Vilnius is a rapidly changing, painted and restored, stuck building nets, and some are still waiting for a fresh putty layer. To reflect on important questions: Are there the limits of the Holocaust perception? Where does memory end and imagination begins (if this divide is possible at all)? In what forms do you return (or could you return) what was almost completely destroyed during the war? The creative team of the audio strolling in the Vilnius ghetto was awarded the Golden Stage Cross for the best dramaturgy. Reviews: Although "putty" combines the lost Jewish Vilnius (through its people, architecture, etc.) with today's, cultural and barbaric layers, the city version, but it is very time -consuming, but about the present - what Vilnius is today, I have not experienced the subject's interpretations - because it is, of course, total experience. It is very difficult to appeal to feelings without manipulating them - this is exactly what the authors of this work succeed. Don't miss the opportunity. For "putty", it is worth coming to Vilnius specifically. They rather give a stone. Created audioism - albeit dense and multi -faceted, but careful breathing; leading to sensuality, distracted from the field of meaning, giving it simply to breathe. Just sacrifices themselves to find people who are killed at least today to discover their angels guardians. This is the most beautiful and expensive experience of putty in putty. The creators, without the fact of the facts, do not confuse the past, as if they are introduced and immersed in the world around and inside. Babinskas, Mic.lt creative group: authors: playwright Rimantas Ribačiauskas, director Mantas Jančiauskas, composers Sea Elena Šedytė and Andrius Šiuryskuru used audio recordings from interviews with Frida Sohat, Joshua Zaku, Sor Voloshin, Baruchu Shubu Skubu audio. Melos: Justina Leinartaitė (soprano), Gabrielė Bilevičiūtė (soprano, leader of the ensemble), Karolina Macytė (soprano), Ieva Parnarauskaitė (soprano), sea Elena Šedytė (Altas), Dainora Aleksaitė (Altas), Gabija Adamonytė (Altas) Director Vytautas Bedalis Children's Vocal Ensemble: Patricia Dahl, Urtė Kretkovskytė, Ignas Masevičius, Kasparas Skujachoror Skaistė Garbašauskienė Lora Kmieliauskaitė (violin) Kazimieras Yušinskas (saxophone) programmer Robertas Dumpisgars mastering Arūnas Zujas Rim. Ablamonova, Olga Lempert, Darius Ross, Vsevolod Chernozubvedliai: Rimantas Ribačiauskas, Mantas Jančiauskas, Sea Elena Šedytė, Andrius Šilys, Anna Ablamonova, Paulina Simutytė, Ieva Parnarauskaitė, Medeinė Mickevičiūtė, Kristupas Gikas, Lyja Maknavičiūtė Laenko, Justina Buslavičiūtė, Miglė Remeikaitė, Eglė Radavičiūtė, Jevgenijus Kovalčukas Producer Opeomanijapo Fagind Partner Jewish Culture and Information Center Partner: LMTA Music Innovation Studies Center, Vilnius Theater "Doll", audiovisual arts industry 2019 October 27 - November 3, the Coast of Lithuanian, English, Russian, Hebrew and Yiddish with Lithuanian / English / Russian / Hebrew titles

You can apply for 10 or more tickets at: vipklienti@bilietai.lt

Doors open: 10min. before the start of the event
Event duration: 80 min.
Breaks: No
Language of the event: Lithuanian, English, Russian, Hebrew and Yiddish with Lithuanian / English / Russian / Hebrew titles
Children are admitted free of charge: No
Age censorship: N-10
Discounts: for schoolchildren, students, seniors and persons with disabilities for 1 ticket (to provide a discount document during control)

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